PAULA DO PRADO
  • eguahé porá
  • exhibitions
    • quarai 2022
    • birth of sucuri 2022
    • a place where we can be together 2022
    • in the fibre of her being 2021
    • kuña/womxn 2021
    • pallay yuyay 2021
    • kalunga 2020
    • iyanla 2019
    • playdate 2018
    • lucky swag 2015
    • face to face 2014
    • odalisque 2014
    • sepiasiren 2012 *adult content*
    • mellorado 2012
    • adiafa/diyafa 2011
    • where yah from? 2010
    • rebirth 2008
    • I am...Black
  • zines + books
  • projects
    • everyday ceremony
    • Uruguay Indigenous Biennale 2023
    • design isolate 2020
    • meroogal 2020
    • heartstrings 2018
    • TOAF 2016 + 2017
  • interviews + talks
  • studio do prado
  • bio + cv
  • contact
  • eguahé porá
  • exhibitions
    • quarai 2022
    • birth of sucuri 2022
    • a place where we can be together 2022
    • in the fibre of her being 2021
    • kuña/womxn 2021
    • pallay yuyay 2021
    • kalunga 2020
    • iyanla 2019
    • playdate 2018
    • lucky swag 2015
    • face to face 2014
    • odalisque 2014
    • sepiasiren 2012 *adult content*
    • mellorado 2012
    • adiafa/diyafa 2011
    • where yah from? 2010
    • rebirth 2008
    • I am...Black
  • zines + books
  • projects
    • everyday ceremony
    • Uruguay Indigenous Biennale 2023
    • design isolate 2020
    • meroogal 2020
    • heartstrings 2018
    • TOAF 2016 + 2017
  • interviews + talks
  • studio do prado
  • bio + cv
  • contact

everyday ceremony

mother's eyes

6/29/2021

0 Comments

 
these past few weeks have been filled with moments of connecting the dots, of remembering connections between how I experienced and viewed nature as a child and how I experience and see nature now. in  an exhibition earlier this year, Kuña, I mentioned the concept of mother's eyes - that is the concept of ajé in the African Yoruba tradition and many others (see for example Teresa N Washington's "The Architects of Existence: Aje in Yoruba Cosmology, Ontology, and Orature" on this subject or follow the wonderful @ehimeora). In many African traditions birds are viewed as messengers and particularly connected to female ancestors and spirits. I used the term mother's eyes to describe my experience of observing and being observed by birds and for me in particular I connect with crows and magpies. just the other day I also realised it wasn't just birds that had been returning my curious gaze. all of nature was watching back. I have been visiting an ancestral tree relative, a solitary ombú, at least once a month now for well over a year and it seems wiriyagan (banksia) across the way have been watching me and thought it was time I came over and say hello. I often introduce myself to place (and have taught my son to do the same) by naming myself and those in my lineages, the lands we are from and often add a statement of gratitude for their protection and allowing us to pass through that place.

I remember undertaking a course with Negarra A Kudumu and I had been telling her about the strong feeling I had toward particular plants. Some plants had just kept popping up in conversation with other people or someone would have one in the background of a zoom call or I'd remember the plant being mentioned in a childhood memory or the plant would appear in a dream - so much so that after about 6-8 months of this I could no longer ignore it. It would then be after some research that I'd learn about an ancestral connection and the various uses and benefits of the plant. We talked a lot about herbalism and particular herbs and plants that are important for the African diaspora. At the end of one of our sessions Negarra said "don't be surprised if the plants of the land you are on want to work with you also". 


Picture
Wiriyagan (also known as saw banksia or old man banksia)
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    everyday ceremony

    sentipensando on Gadigal land

    Archives

    February 2022
    July 2021
    June 2021

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • eguahé porá
  • exhibitions
    • quarai 2022
    • birth of sucuri 2022
    • a place where we can be together 2022
    • in the fibre of her being 2021
    • kuña/womxn 2021
    • pallay yuyay 2021
    • kalunga 2020
    • iyanla 2019
    • playdate 2018
    • lucky swag 2015
    • face to face 2014
    • odalisque 2014
    • sepiasiren 2012 *adult content*
    • mellorado 2012
    • adiafa/diyafa 2011
    • where yah from? 2010
    • rebirth 2008
    • I am...Black
  • zines + books
  • projects
    • everyday ceremony
    • Uruguay Indigenous Biennale 2023
    • design isolate 2020
    • meroogal 2020
    • heartstrings 2018
    • TOAF 2016 + 2017
  • interviews + talks
  • studio do prado
  • bio + cv
  • contact