PAULA DO PRADO
  • eguahé porá
  • exhibitions
    • quarai 2022
    • birth of sucuri 2022
    • a place where we can be together 2022
    • iyanla 2019
    • kalunga 2020
    • in the fibre of her being 2021
    • kuña/womxn 2021
    • pallay yuyay 2021
    • playdate 2018
    • lucky swag 2015
    • face to face 2014
    • odalisque 2014
    • sepiasiren 2012 *adult content*
    • mellorado 2012
    • adiafa/diyafa 2011
    • where yah from? 2010
    • rebirth 2008
    • I am...Black
  • projects
    • everyday ceremony
    • Uruguay Indigenous Biennale 2023
    • zines + books
      • bomba 2017
    • design isolate 2020
    • meroogal 2020
    • heartstrings 2018
    • TOAF 2016 + 2017
  • interviews + talks
  • studio do prado
  • bio + cv
  • contact
  • eguahé porá
  • exhibitions
    • quarai 2022
    • birth of sucuri 2022
    • a place where we can be together 2022
    • iyanla 2019
    • kalunga 2020
    • in the fibre of her being 2021
    • kuña/womxn 2021
    • pallay yuyay 2021
    • playdate 2018
    • lucky swag 2015
    • face to face 2014
    • odalisque 2014
    • sepiasiren 2012 *adult content*
    • mellorado 2012
    • adiafa/diyafa 2011
    • where yah from? 2010
    • rebirth 2008
    • I am...Black
  • projects
    • everyday ceremony
    • Uruguay Indigenous Biennale 2023
    • zines + books
      • bomba 2017
    • design isolate 2020
    • meroogal 2020
    • heartstrings 2018
    • TOAF 2016 + 2017
  • interviews + talks
  • studio do prado
  • bio + cv
  • contact

birth of sucuri 2022

Birth of Sucuri could be seen as a doorway, an arrival or a departure or a map. Layers of consciousness that reside underground, close to the surface and depths we can only imagine. Elements of Bantu Kongo and Abya Yala cosmology intertwine within and around the symbolic and metaphorical form of the sucuri, more commonly known as the anaconda, boa or great serpent. A weaving, a warning, an alternate cartography below the Kalunga line in honour of the mud and water that births life.

Birth of Sucuri was exhibited in October 2022 as part of Sub-Terrains, The 2022 Bankstown Biennale curated by Nicole Monks and Vandana Ram.
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  • eguahé porá
  • exhibitions
    • quarai 2022
    • birth of sucuri 2022
    • a place where we can be together 2022
    • iyanla 2019
    • kalunga 2020
    • in the fibre of her being 2021
    • kuña/womxn 2021
    • pallay yuyay 2021
    • playdate 2018
    • lucky swag 2015
    • face to face 2014
    • odalisque 2014
    • sepiasiren 2012 *adult content*
    • mellorado 2012
    • adiafa/diyafa 2011
    • where yah from? 2010
    • rebirth 2008
    • I am...Black
  • projects
    • everyday ceremony
    • Uruguay Indigenous Biennale 2023
    • zines + books
      • bomba 2017
    • design isolate 2020
    • meroogal 2020
    • heartstrings 2018
    • TOAF 2016 + 2017
  • interviews + talks
  • studio do prado
  • bio + cv
  • contact